Wednesday 01.16.19

Spectrum: The Closing party

Scenes from the magical event at The Dreamhouse

Monday 01.14.19

Play Now! Presented by Susanne Bartsch and Linux

Featuring a live performance by Boyfriend and special guests Fecal Matter

Saturday 01.12.19


An interdisciplinary performance by five queer dancers

The super talented and hilarious queen, Jack Ferver, sent us an email about the latest show he wrote, choreographed, and stars in, ‘Everything is Imaginable’ saying: “I interviewed James Whiteside, Lloyd Knight, Garen Scribner, and Reid Bartelme about the first name that came to mind when I said “childhood icon.” Respectively, they were Judy Garland, Martha Graham, Brian Boitano, and My Little Pony. Mine was Catwoman (Michelle Pfeiffer’s).” It sounded like something I needed to see in person. The interdisciplinary performance starts with five queer dancers performing solos under a set composed of 4 columns and a chandelier by Jeremy Jacob.


It opened with ABT principal, James Whiteside, wearing a lovely shimmering dress, tap dancing and lip synching to Judy Garland’s rendition of “I Happen to Like New York.” Right from the beginning, he made sure to set the tone to ‘gay.’ This was followed by an elegant, classic Graham performance by Lloyd Knight (Principal Dancer for The Martha Graham Dance Company); Garen Scribner (a former member of San Francisco Ballet) skating to the of sounds of blades on ice, sliding his feet around while making campy faces; and Reid Bartelme (dancer and fantastic costume designer) is seen tossing a pink mane, embodying My Little Pony. A group number set to throbbing club music had the crowd nearly cheering into the end of the first half.



Reid Bartelme


Lloyd Knight


James Whiteside


Garen Scribner


Jack Ferver



During the intermission, I saw Christeene (as Paul Soileau) and they raved over the costumes – fringy dresses and sexy, sheer bodysuits – a collection designed for the show by Bartelme and Harriet Jung. …

Wednesday 01.02.19

NYE at Indochine

With Sherry Vine, Amanda Lepore and CT Hedden

Monday 12.31.18

GAYLETTER’s Top 10 albums of 2018

10. Pure by Diana Gordon

We’re off to a weird start since Pure is an EP and not a full album, but it’s actually immaculate and Diana Gordon deserves way more shine. She’s shed her old stage name — Wynter Gordon, of “Dirty Talk” and “Buy My Love” success — and returned to her roots. She’s an immensely talented songwriter. For example, she’s one of just three co-writers on “Sorry,” the biggest hit from Beyoncé’s Lemonade. Her own work is much less pop, more downtempo, both anguished and exultant. “Wolverine” is my favorite entry in the tracks-titled-after-proper-nouns trend that Young Thug set off. “Kool Aid” will make you call your mother. In “Too Young,” the listener is cast as her child, the product of an imperfect union that she can’t forget. It’s all so vibey — you can feel her need to express herself, to reach you however she can. Each song is its own little world, spinning smoothly on the axis of her emotions.





9. Dirty Computer by Janelle Monae

Our cybertronic seraph only continues to widen her wingspan. In the years since The Electric Lady, Janelle Monae’s star has risen so high she’s become a Met Gala fixture, a silver screen queen, and a champion for progressive Black activism at the forefront of our culture. The second track, “Crazy Classic Life,” features a deft, comic, and incisive rap that echoes her unapologetically political verse on “Q.U.E.E.N.” Which is to say nothing of “Django Jane.” Her art is at the crest of fourth-wave feminism, working out the mechanics of a cyber sensuality. …

WESTGAY 3.0: Alyssa Edwards, Shangela & La’fem Ladosha

Frankie Sharp's Westgay returns to a new home — the gay owned and operated venue, 3 Dollar Bill

Saturday 12.29.18

The Best of GAYLETTER Magazine 2018

Our favorite photographs that went to print in 2018

Creating an independent print publication in 2018 means lots of challenges, especially when it’s queer focussed. Producing stories for it, self-sustaining it, finishing it on time…it’s a trying, complicated process to turn ideas in your head into a high-quality finished magazine. Thankfully we have no lack of ideas (we have too many!) that we want to turn into stories.


This year we put out two printed issues, with 4 covers, photographed by Mickalene Thomas, Vivienne Maricevic, Luke Gilford and Ben Zank. It has brought us much satisfaction to print and share with you so many powerful photographs featuring LGBTQ people from around the world, captured by some of our favorite artists and creators. Each one contributes to the GAYLETTER legacy.


We decided at the year’s end that it might be nice to share some of our favorite images that we produced and commissioned from the past 12 months. It was tough narrowing it down to just 15. We love every image we print, but you can’t have a ‘best of’ without narrowing it down to a handful of the best.



So without further ado, here are our top 15 photographs from GAYLETTER Magazine from 2018. See you in 2019!









Friday 12.21.18

Polaroids from Miami Beach Art Basel 2018

With Michèle Lamy, Chloe Sevigny, Raul de Nieves, Miles Greenberg, Misha Kahn, Scooter Laforge, BasicaTV, Brandon Boyd, De Se, Matthew Morrocco, Casey Spooner and many more...

Wednesday 12.19.18


The latest exhibition of special edition prints exclusively at Tom of Finland Store

The Tom of Finland Store is equal parts online boutique and gay art gallery. We’ve seen exhibitions of work by Bruce LaBruce, Jack Pierson, Daniel Trese and now their latest — a collection of special edition prints by the artist Slava Mogutin (titled Slava Mogutin: XXX Files) exclusively available on their site. The online exhibition launched in December 18th, a day after Tumblr decided to ban adult content. It’s one of the dumbest thing we’ve heard about this year, wasn’t pornography the only reason why people went on Tumblr in the first place? Our GAYLETTER XXX Tumblr got closed down after a few successful years and a massive following, but you know what, who cares, it’s time we all leave Tumblr and show them that we don’t need to support their regressive, homophobic ideals.


“For me, the personal is political and the political is personal. At the time when our fundamental constitutional rights are under attack, I believe that queer imagery can serve as the most effective weapon against hypocrisy, bigotry, and censorship. When they censor my work either on social media or in real life, my response is always — double up on the queer, double up on the fight and what they don’t want to see. I want to shine light on the darkest corners of human nature and sexuality as a way to understand and peacefully coexist with each other, because being different is a blessing, not a curse.” — Slava Mogutin.


This exhibition is composed of photographs, performance and film work from different stages in Slava’s career. …

Tuesday 12.18.18

Pinups Presents Patrick Lee

This new series invites artists to create pictorials in the Pinups format

Pinups – the queer zine focused on bear male nudes – is back for one more special issue! For those of you that are just learning about this publication, here’s the deal, each issue of Pinups “can be dismembered, and the loose pages tiled to reveal a single, monumental image of the subject. The zine’s two states conflict, resulting in visual and narrative abstraction: a dialogue between its physical structure and its printed content.”  This edition is part of their new “Artist Series” and features photography exclusively by Patrick Lee, it tells a story in pictures. The beefy models, Esteban Bartholo and Devin Corbin are photographed cruising in the Mojave Desert at dusk. The zine opens with an ominous quote attributed to an “Anonymous Truck Driver,” “You know what goes on here? It’s where men congregate…I’ve seen some crazy stuff here and I’ve had to pull guys out of here a number of times.”

There’s a voyeuristic feel as you flip through the pages. One page shows a picture of shoes on the pavement, the next shows a man standing with his bare butt toward the camera, and out of focus, by rocks, sand, and the setting sun, two men are having sex. Other pages show close-ups of the male form – legs, chests, and dicks – and some show night falling over the scenic desert landscape.

“Patrick Lee is known for his photorealistic graphite portraits of toughs, and for his mystifying landscape photography. Lee’s Pinups exploration fuses his favorite subject matter in an atmospheric story of cruising at dusk.”








Buy this issue. …

Monday 12.17.18

Susanne Bartsch and David Barton’s Toy Drive 2018

Unveiling TMPL gym West Village, the event was hosted by Alan Cumming, Cindy Sherman, Char Defrancesco, Frankie Grande, Marc Jacobs, Milk, Norma kamali, Sonja Morgan, Steven Klein and Zaldy

Brooke Candy’s back to make you crack your neck

Listen to her new track and watch the music video

Brooke Candy kept it pushing this 2018. Since going independent, Brooke shifted her trajectory from mass-market pop (like last year’s “Living Out Loud” feat. Sia) toward the haute, the conceptual, and the unapologetically political. Earlier this year, Brooke collaborated with Mykki Blanco and Pussy Riot for “My Sex,” a celebration of the agency that arises from claiming your sexuality, regardless of its form. These independent songs go way harder, and the all-in blowout energy of her debut “Opulence” is back. “Oomph” is an aggressive summons to throw your ass in a circle, and maybe get your head knocked back.


ojivolta is a duo of producers Mark Williams and Raul Cubina, who might best be known for their credits on “Fall in Line,” the Grammy-nominated Xtina & Demi Lovato record. They also earned songwriting credits for Jon Bellion’s 2x Platinum Top 20 hit “All Time Low.” It’s mind-boggling that a similar team helped craft these three wildly different songs, which is a testament both to ojivolta’s versatility and Brooke Candy’s singular artistic vision and control. “Oomph” is closer to the sound and structure of “All Time Low” but it warps the beat much more, creates weirder and more squeamish movements of energy. It’s squelchy and dissonant, chunky and heavily distorted, but the rhythm — the sweaty, fem-dommy, breathy rhythm — is never lost. And it’s infectious.


Brooke Candy directed the video herself. Stunting in the desert like corporate Arizonan fucking cock destroyers , Brooke and Peli make a moment out of a retro convertible, shoulder-padded suits, and some hyper-reflective après-ski shades. …