An event presented by Nicky Ottav & Blake Deadly featuring Audrey Phoenix, Devo Monique, Elektra Lite, Jax, London Jae Precise, Magenta, Merrie Cherry, Neon Calypso, Suburbia, Vena Cava, Xaina X and Zavaleta at 3 Dollar Bill
Institute 193 features artists from the Southeastern United States, celebrating creatives from the ‘fly-over’ areas and the unique richness of their production. Their latest exhibition presents a grouping of paintings by Aaron Michael Skolnick, born and raised in Kentucky, and recently relocated in Hudson, New York. Before his move, he spent years taking care of his late husband, who was taken by complications related to the diagnosis of ALS. Their life together changed under the terms of the illness — looming frustration, selfless patience, and a delicate intimacy became their reality. The abundance of paintings he made during this period reflect this state of being, serving as a kinky film score, a gentle love song, and a requiem all at once. Two years have passed and Skolnick has moved into a new chapter in Hudson, painting more recent lovers with a fresh intensity but without forgetting his harrowing and tender memories.
The paintings are mainly articulated in pastel hues; strokes and smudges are turned into smart details. His compositions are focused on scruffy bodies in repose, with seldom a background apart from a soft pillow. Sex acts become gestures of affection rather than carnal transactions, erotic but contemplative. Time is slowed down in the painted scenes, turned into a distant dream of golden light and soul connection. Apart from the portraits, Skolnick also paints still lives: bedside vases of flowers. The age-old trope of cut flowers is framed by the context of the other sensual paintings, a symbol for inevitable decay and fading beauty that must be enjoyed in the moment or memorialized in art. …
Abi and I first met designer Jonathan Anderson on the dancefloor of the iconic Twist nightclub one December during the annual Art Basel Miami Beach. It was hot and sticky and Kylie was playing on the speakers. Sardined together on the tiny upstairs dance floor he seemed as happy as we were to be escaping the real world for a moment.
This September when we met in Paris to shoot this cover, I wasn’t sure if he remembered our South Beach encounter, but he was in equally good spirits. Considering he was in the middle of preparing his Loewe Spring 2020 show, only a few days later, and had just shown his latest collection for JW Anderson in London days prior, his calm was especially impressive. With our cast arranged around the spacious, high-ceilinged showroom his eponymous brand uses when in Paris, Anderson walked onto set and announced: “Just tell me where to stand, I’m easy.” For the rest of the shoot he happily traipsed from room to room as we improvised (in true GAYLETTER style) each set up.
If you spend more than 10 minutes with Jonathan, you can’t help but notice he has a great sense of humor. There’s an irreverence in him that is reflected in many of his designs. Shirts with extra arms, leather bags that look like baseball caps, and his update to the classic Chuck Taylor All Star High Top sneakers that adds at least an extra two inches to their soles are just a few examples of the playfulness and originality that has made him such a coveted designer. …
opens on November 7, 2019
In anticipation of Benjamin Fredrickson’s upcoming exhibition in New York, we asked him a few questions about his gorgeous subjects, his photographic process, and the evolution of categorizing nude portraiture.
Do you get to know your models before photographing them? How many of them are your friends or lovers? Some of them are friends, and some of them are people that were found through social media. I’m fascinated how social media has reshaped the way in which artists can source subjects. There are even people that “collect” artists/photographers for their online respective portfolios, collecting likes and validation. I love it. Before I.G. existed I would source people from Craigslist, Manhunt, and Adam4Adam.
In your self-portraits, your penis is erect. Is it the act of modeling, of exhibitionism, that gets you in the mood, or do you think about something or someone to turn yourself on? I’m an exhibitionist, I love showing off. I’m also a bit self-conscious when it comes to looking at myself nude without an erection. I prefer to pose in self-portraits with an erection. I love when there is someone else in the room that turns me on when I’m making self-portraits. A lot of the time, I’m by myself and thinking about someone who I’ve photographed or had an intimate encounter with. It can change with the situation. I was in Paris last summer and staying in an Airbnb and there was this frosted window in the hallway, and I just knew that I needed to make a self-portrait sitting in that window sill. …
Mint introduces us to some young, queer beauties in the Colombian city described by his crush as a 'big gay Latin American Berlin.'
The photographer Oliver Mint ended up in Bogota because of a crush — Daniel, a Colombian boy he met in NYC about 4 years ago during his trip to the city. Daniel described the city of Bogota as “a big gay Latin American Berlin,” since that moment Oliver wanted to visit and possibly find him again… He planned to visit Bogota for a month and ended up staying for six months. He told us that he fell in love with everything and everyone. I think Oliver really enjoyed his time there.
Oliver knew that he wanted to do a project in Colombia with queer people, but he wasn’t as keen to reach out to anyone until he visited Manuela Pizzarro’s studio back in July. “She is a costume designer from Bogota and at the time she was selling off all of her archive — racks and racks of about 200+ pieces of clothing because she was moving to Mexico City.” The concept for this shoot came about after spending the afternoon shopping in her airy colonial style studio, he knew he had to shoot everyone in that space with her clothes before she moved.
Manuela is also part of the cast of people that he photographed for this series. “I cast this group of people because there was something about each one of them that felt cool/interesting to me. Also, maybe I subconsciously connected with the way they presented themselves on social media. They are a mix of artists, drag performers, models, writers, singers, students, activists etc., but most importantly they are all queer as hell!”
Will is a 24 year-old fashion designer who was born and raised in Bogota. …
Ty Sunderland presented a spooky Kim Petras strobe light party
A Britney Blackout party presented by Ty Sunderland — Performances by Ruby Fox and Adriana Trenta
Queer attendees enjoy the 24th annual event at the Tom of Finland Foundation
As cool air begins to blow through New York, Van Doren Waxter gallery reminds us of summer bliss, presenting This Marram, a show of TM Davy’s new painting/drawings of friends enjoying the Pines of Fire Island. It is the artist’s fourth solo exhibition at the gallery, this time featuring landscapes, portraiture, and the genre in between: people interacting with the delightful environment that surrounds them. Davy explains, “Every show I make is a personal meditation on love and life. The intimacies of my oil paintings have often developed through an intentional layering of time in my studio and home in Bushwick. But summer has a different feeling of time for me, not more or less intimate. Easier, perhaps, in the way that life and friendships flow more naturally and quickly across a beach and to a sunset. I found a way of making while I sit freely in the happening of that time and place, so the summer and the work could become one experience.”
All works in the exhibition are 14 by 11 inches — a portable size, easily taken to the site of inspiration, allowing Davy to observe and articulate various decisive moments ‘en plein air,’ subtly detailed with a flourish of gouache or oil pastel. His art may be understood as elaborating on the historical movements of Impressionism and Expressionism, taking the styles to a new height with hints of neon tonality and gestural, abstracted compositions of thick grass, textured clouds, and splashy tides. Arranged in the gallery space side-by-side, without frames, the collection is displayed sequentially. …
A party presented by Ty Sunderland with guest DJs Ryan Kenney, Alex Chapman, Lafayette and Dicap. Plus, performances by Charlene and Ruby Fox