Wednesday 06.12.13
Maripol & Slava Mogutin’s Intimate Portraits
Slava Mogutin and Maripol need no introduction to GAYLETTER readers. Slava, the Siberian born artist has been busy of late putting on amazing show after amazing show. His latest, with the artist Maripol (she’s responsible for Madonna‘s ‘Like a Virgin’ look, along with those for Grace Jones and Blondie), is on until June 17 at The Impossible Project.
How did you meet each other?
Maripol: If we have the same memory, I met Slava at his show at Diego Cortez‘s gallery in Harlem.
Slava: We actually met through our publisher, powerHouse. Maripol had her ‘MARIPOLARAMA‘ book published around the same time as my ‘Lost Boys.’ But it’s not until my opening at As If Gallery a couple of years ago that we became friends.
How did the show ‘Intimate Portraits’ come about?
Slava: The idea of this show came up during our Thanksgiving dinner together last fall. So I proposed it to The Impossible Project and they loved it.
What is it about instant film that you’re both attracted to?
Slava: I love the retro quality of instant film. Nothing really compares to it!
What’s the main message of this exhibition?
Maripol: No message for me.
Slava: We both are voyeurs of our time and share the same passion for documenting our lives and relationships and for me that’s what this show is about.
Tuesday 06.11.13
Tom Bianchi’s Island Life
In 2008, I had the chance to interview the gay erotic photographer Tom Bianchi, a gentle-hearted horndog if ever there was one. The occasion was a small show in Palm Springs, where he lives, of a few dozen of the roughly 6,000 Polaroids he took in the Fire Island Pines during the idyllic, hedonistic summers of 1975 through 1983, before AIDS began spoiling the party. I remember Bianchi telling me that of the literally hundreds of men he photographed, half had died. Then he burst into sobs on the phone.
Five years later, it’s gratifying to see that his stunning collection, which languished in shoeboxes for years while he shut away those happy-turned-painful memories, has found its way into a gorgeous book, Tom Bianchi: Fire Island Pines, Polaroids 1975-1983 (Damiani, $50.00). In his long, chatty introduction, full of memories of wild theme parties and midday outdoor orgies, Bianchi notes that Polaroid film confers a “painterly” quality. That is abundantly evident here; the dunes, surf, cedar homes and blue sky of the Pines have never looked more hazily beautiful. Then there are the men — hundreds of them, many of them naked, all with exactly the same aviator glasses, moustaches, tiny red running shorts and lithely muscled late-seventies body. They’re a reminder that as much as the pre-AIDS Pines was a dreamlike haven for a closeted, disliked minority, it served the upper tier of that minority — uniformly slim, white, well-employed and beautiful, at least through Bianchi’s reverential lens. …
Monday 06.10.13
Andy Warhol ‘For Members Only: Eyes On The Guise’
I mean, who doesn’t wan’t to see Andy in drag? The Center is having a 1 day only show of the “gayest” works of Andy Warhol June 11th from 9AM to 10PM and it’s free. On view will be pieces from the upcoming online only Warhol auction Christie’s is hosting and will include polaroids of Keith Haring, this extraordinary polaroid of Andy in drag, line drawings of nude torsos and more. One can argue since Warhol was gay (though they say he didn’t participate in much of the sex that went on around him) that much of his work can be considered gay, this exhibition promises to show some of his gay-est works in honor of gay pride month. We will be the judge of that! —MOSSY
FREE, 9:00AM-10:00PM, The Center, 208 W. 13th St. NY, NY.
Saturday 06.08.13
OPENING OF GOODYN GREEN’S THE CATALOG
With performance by Diana Joy at The Strange Loop Gallery - BGSQD
Thursday 06.06.13
Girls who like boys who like girls to be boys
The Berlin-based, Danish artist Goodyn Green (who’s show is now on at The Strange Loop Gallery and Bureau of General Services – Queer Division) chats to us about her attraction to gay porn, women wearing men’s underwear and her sexy subjects. We are obsessed with her images, they really fuck with your ideas of attraction, just try and not get a little turned on. We dare you.
How would you identify in regard to sexual orientation and gender identity / what’s your preferred gender pronoun? I’m lesbian and a woman (she).
What magazine(s) did you draw the inspiration from? A really nice magazine called ‘Kink‘ from Barcelona and typical gay porn magazines.
What do you think is the relationship to masculinity in gay versus lesbian communities? I guess the gay communities in some ways tend to celebrate a more old fashioned and traditional raw masculinity, which can be hard to break out of.
Tuesday 05.28.13
Ace Morgan Photographs an Imperfect World
The sexy trans artist discusses work; what he sees and who he loves.
The transgender artist Ace Morgan has been taking photos documenting the West Coast music, LGBT and punk scene for over a decade now. We were intrigued by his work the minute we learned he was having an opening in NYC. We had a chat with him while he was preparing for the show ‘What’s for Breakfast?‘.
When did you start taking photos? I started taking photographs in 1983, I bought my first disc camera at Kmart, then in 1985 I bought my first 35mm camera.
What in particular interested you about documenting the West Coast music, LGBT and punk scene? I was photographing first the Detroit Punk scene, and a lot of West coast bands would pass through a little space me and some friends ran in Detroit called 404 Willis. The LGBT and punk scene was my surroundings, this is what was happening around me and I wanted to remember this time, these people, it was the 80’s and I knew we were part of something big.
What are you trying to say with your images? I feel like I am trying to show you the world is not perfect, I am showing the world tragedies such as the Malice Green situation that happened in Detroit in 1991, I am bringing humanity to what some people would say is in-humane, I see empathy through my lens. Like the images of the serial killer that I accidentally photographed show a side of this person that is human, and it was such a tragic situation. …