GAYLETTER

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye

Bill Priss, an independent, Brooklyn-based artist is ready to rise to the next level with “Mr. Big,” his first music video. The track belongs to Blue Collared Baby, his debut EP released last Summer. With influences from Anna Wise, Tei Shi, and pre-control SZA, the EP is moody and atmospheric, with cutting lyrics delivered by an impossibly smooth voice. The quality is evidence of a singular talent: Priss wrote and co-produced everything in his friend’s room in Bushwick.

Filmed on a bootstrap budget with Tobín del Cuore [whose work we have covered here], “Mr. Big” is a startlingly realized debut. We first see Priss upside down in gravity boots, bare-faced but for brows drawn like crescent moons, singing to a camera so high-def it might have been made by NASA. It’s a gag, and it would be confrontational if Priss did not exude charisma and warmth. Its strange strength is like that of when we first see Lorde in “Royals.”

Priss and del Cuore went upstate to recreate an atmosphere both knew. They have both grown up in deeply rural places in Maine, wooded areas cut off from everything but a general store. The video takes place in that solitude.

When asked who Mr. Big was, Priss said he’s “a person you constantly go back to even though you know you shouldn’t. The creature only exists for Mr. Big. The house is Mr. Big’s. The car is Mr. Big’s. It’s all to keep the creature at Mr. Big’s beck and call. Sometimes the creature likes it, and sometimes he doesn’t. But he knows he has to get there. He’ll get there at any cost.”

And get there he does. The video is as glamorous, humble, and as complex as the song. Check it out here, and Blue Collared Baby wherever you listen to music.

“Mr. Big” by Bill Priss
Music production by Bill Priss & Liam Bornovski

Directed by Tobin Del Cuore
Produced by Tobin Del Cuore & Alex Birnie for Imagination + Muscle Productions
Shot by Alex Birnie
Edited by Julien Lormant
Color Grading by Andrew Francis
Styling by Bill Priss & Lauren Bowring
Makeup by Will Sullivan
Production photography by Hunter Abrams
Production management by Boswell Scot
Production assistance by Lauren Bowring

Special thanks to Dane Charles & Nigel Smith, Willie Norris, Yannik Stevens, & Reginald Delahaye