Who I Am: Rediscovered Portraits from Apartheid South Africa
An insight into South Africa during apartheid.
The Walther Collection latest exhibition, Who I Am: Rediscovered Portraits from Apartheid South Africa, is a fresh perspective on life for non-whites during apartheid. The portraits were taken from 1987 to 1984 by photographer Singarum “Kitty” Jeevaruthnam Moodley in ZwaZulu-Natal and give a glimpse into the workings of African society at the time. His studio became a safe space for locals to collaborate with the Indian born photographer. A presentation of self-expression, the subjects wear an array of fashion and accessories, giving a fresh look into the private lives and aspirations of non-white South Africans.
Known for evocative collections, The Walther Collection focuses on curating exhibitions that delve into the history of vernacular photography. Who I Am, follows on from the portraits of Malian photographers Seydou Keïta and Malick Sidibé and will be followed up by future exhibitions exploring urban architecture, criminology and personal identity. Keep track of goings on here.
All images courtesy of The Walther Collection. Photography by S. J. “Kitty” Moodley
The exhibition runs from June 2 — September 3, 2016. The Walter Collection Project Space, 526 West 26th Street, Suite 718. NY, NY. …
Thursday 04.28.16
Vitium
Matt Lambert, and husband Jannis Birsner, create a sexy new picture book (NSFW)
Berlin based filmmaker and photographer, Matt Lambert, follows up his first book, Keim, by working with husband and regular collaborator Jannis Birsner, to create Vitium. It provides quite an experience for the reader; opening the seal to the plastic outer casing, pulling out the light, B&W book, finding the glossy poster inside, and then absorbing the photography. It draws you into its world. A world that celebrates the carnal energy of Berlin’s youth.
Here’s what they had to say about the project: “The boys in VITIUM aren’t overly big or small, they have normal bodies. They are in the zine because of their attitude. All the attributes these boys have you would use to describe femininity. Then we are back at their physicality: these boys are attractive and masculine because they are confident in their sexual expression. Masculine men are men confident with their selves without being abrasive.”
The book is split into three parts, each with a distinct vibe. The first, “Sacrifice: Matured in Fire,” expresses raw sexual charge; there is an innocence to the models captured. “Unity: Man is Wolf to Man” shows confidence and growth. “Love: Every Soldier is First a Lover,” the final section, is the most explicit; A heavy climax depicting sexual ownership. Lambert and Birsner experiment with texture and lighting to create a rich, sensory experience for the reader. They have created a sexual (penis), fun (penis) and provocative (penis) time capsule, something you’ll want to revisit. Honest, playful and HOT, Lambert and Birsner have created something real. …
Thursday 03.31.16
OPENING RECEPTION FOR GIO BLACK PETER’S ‘IF WE DO NOT DESTROY OURSELVES’
The exhibition is up until May 26th at Casa de Costa
Wednesday 03.30.16
GIO BLACK PETER: IF WE DO NOT DESTROY OURSELVES
We are super excited about the opening of Gio Black Peter’s latest exhibition of paintings and drawings titled ‘If We Do Not Destroy Ourselves.’ It has been a while since we’ve had a kiki with Gio, he has obviously been very busy creating new work. I chatted with Gio briefly and he told me that the show is about “finding the beauty in destruction without destroying yourself. It’s a view into my head, my feelings of the world inside and my views of the world around me. For example “The Velvet Ribbon” (the painting used on the invite) is about the end of the idea of “White America.” “Bad Cops Make Good Snacks” is my Adam & Eve painting, Adam is black and Eve is transgendered-corruption is depicted by a cops hand sticking out of a snakes mouth. Every image tells a story, I leave it to the viewer to figure it out.”
I peeked at some of the work and they look great, they are as colorful as his previous work, but there is a lot more to take in, as he described before there’s obviously lots to figure out from each piece. From what I’ve seen this is his most ambitious work, in terms of scale; he has some murals, he told me that they are the largest paintings he’s shown in the U.S. Come to the opening reception and support Gio, he told me that he would not be showing his peen at this event, like he usually does, “It’s all about the art.” …
Robert Mapplethorpe: The Perfect Medium
Now on view at LACMA in Los Angeles
Hi L.A. gays, check out the work of legendary photographer, Robert Mapplethorpe at the Los Angeles County Museum of Art. The Perfect Medium is a look into the art and the controversy surrounding the man who set a precedent for sexuality in the arts. His raw, nonchalant style captured a cult following while his hyper sexualized bondage collection faced criticism for ‘condoning’ the practice. True to his style, he had no fucks to give and continued to work with eroticism even in his shots of flowers (DROOPY TULIPS!!!).
The exhibition coincides with the HBO documentary Mapplethorpe: Look at the Pictures debuting on April 4th, so you can sharpen up on the life of a photographer who courted controversy and captured the likes of Grace Jones, Andy Warhol and Patti Smith. Then stare in admiration at Derek Cross’ perfectly formed ass and that Calla lily. Ok, bye! *books flight to L.A.*
$15, March 12 – July 31, Los Angeles County Museum of Art, 5905 Wilshire Blvd. Los Angeles, CA. …