Sunday 11.16.14
James Bidgood needs your help to create more art!
The legendary photographer needs funding to purchase a digital camera and materials...
Whether or not you’re familiar with the work of James Bidgood, the dreamy landscape he creates in his art is a place anyone would be happy visiting.
Though these surreal photographs and illustrations seem celestial and otherworldly, the majority of them were staged and produced in Bidgood’s tiny Manhattan apartment. Among shelves and stacks of glue, paint, tissue paper and tulle is a small studio space in which Bidgood spends countless hours rendering these fairytales. His work is truly astounding and comes to life with unmatchable color and energy.
But his glitter supply is running low, and time and technology have moved quickly ahead of Mr. Bidgood. He needs your help to carry himself and his art towards the future.
Tuesday 11.04.14
NEW SIGHTS, NEW NOISE
An evolving exhibition project generated by Michael Stipe — NYU Steinhardt Department of Art & Art Professions Fall 2014 Artist in Residence.
Tuesday 10.28.14
Casa Susanna: Like no other casa I’ve ever seen!
An interview with collector Robert Swope
Can you imagine going to the flea market, opening a random box and discovering hundreds of photographs of men dressed as ladies from the late fifties to the mid sixties? Where, you’d wonder on earth did they come from. The answer, as it turned out, is a retreat in Hunter, New York called Casa Susanna for heterosexual transvestites. “Founded by Susanna, aka Tito Valenti, the resort embraced men who dressed like women providing a safe haven for the exploration of gender roles in a time when it was not common to do so.”
The archive consisting of 189 color photographs, 144 black and white photographs and 7 photographic Christmas cards now on view at Wright (980 Madison Ave. NY, NY.) is being auctioned off this Oct. 30 with an estimated value of $100,000-$150,000. The archive is owned by the collectors Robert Swope and Michel Hurst who originally unearthed the collection in the flea market. Please take this rare opportunity to pop uptown to see these miraculous photographs. I was fortunate enough to catch up with Robert on the eve of the auction to ask him some pointed questions about the archive.
If you don’t see the answer to one of the questions this body of work provokes for you please come to a talk the two collectors are having at Wright Oct. 28th from 6:00-8:00PM and ask away — I’m sure it will be a lively conversation — I’ll be there with bells on.
Did the dealer at the flea market where you purchased the archive have any idea of the value of the photographs? …
Tuesday 10.21.14
An Exclusive Preview of Jeremy Kost’s Newest Photographs
We also chat with the photographer about his latest book FRACTURED
Photographer Jeremy Kost has a brand new photography book tittled FRACTURED, it consists of “multiple-exposure Polaroids of young, stereotypically beautiful men…” with plenty of peen on display! The images contained in the book are mysterious and have a beautiful dreamy quality to them. Jeremy created this layered effect by using dated film and the “process of double exposing in daylight.” We reached out to the artist to asked him a few questions and learn more about his new project. He also sent us a group of “exclusive” images that are not contained in the book. If you are in NYC, he’s having a book signing at Bookmarc on October 21 from 6:00Pm-8:00PM.
When did you start creating this body of work? The work started about 2.5 years ago by chance really. A Polaroid was jammed in my camera and I shot the frame again to try to get it to eject. The result was beautiful and I’ve been working to explore and perfect the process since!
How do the images differ from the ones you’ve created before? Well, in essence I think of these as sort of collapsed collages. Abstractions, landscapes, figures, all slammed together into a single dream like frame. All of the previous work that people know have been single, straightforward Polaroids. Singular in vision and form. The collages, while abstracted, are still more literal than the new work.
What polaroid camera and film did you use to create these images? Spectra cameras and dead stock Polaroid film mostly. …
Tuesday 10.14.14
The opening of Gio Black Peter’s SEE YOU IN HELL
The exhibition is now on view at the Bureau of General Services — Queer Division
NEW SIGHTS, NEW NOISE
Last Tuesday I visited NEW SIGHTS, NEW NOISE, a fascinating project generated by Michael Stipe in collaboration with NYU students, faculty, and guest artists. 80WSE‘s gallery has been transformed into a constantly changing laboratory where Stipe keeps a studio in part of the galleries for the duration of his residency, and the rest of the space teems with images projected on the walls and floor. Based on the concept of aggregation, the images when I visited had been curated by Stipe and spanned a fantastic range from historical to abstract. Corbis stock photos of President Nixon and his alleged gay lover reverberated against idyllic seaside photos and grid based models of human bodies. You can peek into Stipe’s studio through gaps in the wood walls that separate it from the rest of the space, and will be treated to a view into the backstage of artistic production. An issue of the New York Times encased in plexiglass mingles with a carton of water, a pair of German army trainers, and a bronze cassette replica.
You can visit the gallery Tuesday – Saturday from 10:30AM – 6:00PM, but you may want to schedule your visit to coincide with a special happening that will occur this weekend. On Saturday, October 11th, the projections will be curated by NYU undergraduate David Muñoz with help by fellow classmates Christina Blue, Jongyoon Choi, Ira Dae Young Kim, Daniel Mock and Serina Wei; and from 4:00PM – 6:00PM will be accompanied by music from Taul Paul and Cazwell. …
Wednesday 10.08.14
Tom of Finland Art Fair 2014
Scenes from the international art fair at Tom House in Los Angeles