GAYLETTER

GAYLETTER

Thursday 11.04.21

Alan Cumming celebrates the release of his latest book “Baggage” at L’Avenue at Saks Fifth Avenue

Featuring a DJ set by Lady Bunny

Wednesday 10.27.21

The Drag Explosion Book Party at Parkside Lounge in NYC

Linda Simpson celebrates the second re-print of her book "The Drag Explosion" with performances by Julie J, Voxigma Lo, Paris Alexander and Linda Felcher

Tuesday 03.02.21

Bruce LaBruce: The Death Book

He is a provocateur extraordinaire – most of his oeuvre has been banned, censored, or attacked since he emerged from the queer punk scene in the 1980s.

The Death Book continues his subversive project, with the images in the book functioning as a social mirror or projective test that mine our collective unconscious, probing the depths of what we repress and censor. Just a few days shy of the United States Presidential 2020 election, Bruce and I connected on Skype to discuss his newest book. It was a gloomy day in both Brooklyn and Toronto, a fitting backdrop for our conversation which delved into death, violence, obscenity, and the psychology of taboo.

 

Could you tell me about the concept for the book? Baron Books, Matthew Holroyd, contacted me. He had this concept to do a series of books on death, and ask various artists to collaborate on the concept. So mine is only the second book in the series. He let me come up with whatever idea I thought would be most interesting. And I guess I took it beyond that — literally. Like, I thought it would be a good opportunity to compile all the most severely violent and crazy imagery that I’ve made over the years. It kind of has a cumulative effect. I’ve been working in gore and splatter for quite a long time. Even before my zombie movies, I was using a lot of it in my photography and at my art openings. So when you see it all together, it’s kind of startling, but I think it’s all very consistent and it really shows how my project has always been to draw attention to how this kind of imagery is so casually promoted as capitalist fodder. …

Wednesday 02.24.21

KINK: Stories

Slapping, bruising, and bleeding love in a new anthology

In an ambitious new anthology, Kink, edited by R.O. Kwon and Garth Greenwell, prominent American authors like Alexander Chee, Chris Kraus, Roxane Gay and Brandon Taylor investigate sexual kinks and fetishes along with several other writers from diverse backgrounds. Each story is its own individual achievement, some better than others, but presented together, the anthology makes a strong claim for marginalized literature’s commercial potential.

 

Kink leaves little up to the imagination. The characters are slapped, they’re bruised, they bleed. As you read, keep in mind that kink, or BDSM, is built on trust, and “play,” as it is coined by the fetish community, is practiced with specific language and symbols. It’s important to remember that each participant has a “safeword” (used when someone no longer feels safe, physically or emotionally, inside of the scene) available to use at any time. “Are you okay, Jihyun?” a man asks his wife. “Is this what you want?” He, a newcomer to play, speaks for squeamish people everywhere. While reading, at times I too I searched for my own safeword. Things I never found unsettling now made me wince, like spitting into someone’s mouth. For the reader more accustomed to kink, there are exciting moments of degradation, but for those unaccustomed, be prepared for shock and awe. The anthology, through writing that is controlled as much as it is unhinged, is filled with emotional manipulations and physical contortions. Each writer drums up their most serious literary postures, from realism to Gothic, to try and maintain the delicate subject matter. …

Monday 04.27.20

Boys of Summer by Gerardo Vizmanos

1/6

Monday 03.16.20

The Candy Book of Transversal Creativity

A book by the visionary publisher Luis Venegas chronicles a decade of his fantastic publication C*ndy

1/13

Monday 12.16.19

PLEASURE PARK – MATT LAMBERT – TOM OF FINLAND FOUNDATION – MEN.COM

Berlin-based filmmaker and photographer Matt Lambert has become known for his art house approach to erotic film. In his fast-paced style, he merges filth, fun, and sexual fantasy with a dynamism rarely seen in the porn production industry.

 

Pleasure Park is his fifth publishing project, produced as both a film and zine, inspired by the legacy of Tom of Finland. Debuting on Men.com in early 2020, the film is a stylized documentary of a group of adult performers, friends on a hot summer day, shot at the Tom of Finland Foundation, at Tom’s former residence. The cast includes Sean Ford, Joey Mills, Angel Rivera, River Wilson and Tannor Reed, with a live music performance by Taco Guillen of SCUM and several of its East LA Latinx members. The accompanying zine was released in early December 2019, illustration and graphic design crafted by Stefan Fähler, and it is available at the Tom of Finland Store.

 

Having worked with Christeene and Rick Owens on their infamous music video, Butt Muscle, and the picture book Vitium, a collaboration with his husband Jannis Birsner, Lambert is no stranger to voyeuristic sensibility and sensual oddity. Recounting the experience of making Pleasure Park, he describes, “there’s definitely a big throwback to queercore punk zine culture which we started to play with in Vitium. With Tom’s work being such a conscious and sub-conscious influence on my work, it was so inspiring to create this in the context of the foundation and at the house which holds such a magical and hedonistic spirit.” …

Tuesday 11.26.19

Peter Berlin: Icon, Artist, Photosexual book signing reception at Bookmarc and after party at Le Chalet at L’Avenue

Friday 08.16.19

The Rest of it: Hustlers, Cocaine, Depression, and Then Some, 1976-1988 by Martin Duberman

Hustlers, cocaine, depression and then some — quite a weekend, but also the subtitle to The Rest of It, an autobiography from acclaimed biographer, historian and activist Martin Duberman. In particular, Duberman focuses on 1976 – 88, the darkest, most difficult period of his life. His book offers an intimate view of the intense personal struggles that ran parallel to the professional successes for one of the LGBTQ movement’s most important figures.

 

It opens with depression, the void Duberman fell into after the death of his mother. From there, in search of inclusion, acceptance and some kind of solace, Duberman careened among various therapies, eventually returned to the theater, and overindulged in the titular hustlers and cocaine. Drugs, sex and an extraordinary book deal temporarily lifted him out of despair, before a massive heart attack and growing depression pushed him into rehab and a reevaluation of his life.

 

Duberman paints a raw, honest portrait of his struggle to find balance between his desire for excess and his burgeoning career as a history professor and prominent gay activist. He doesn’t shy away from the undignified aspects of his life, nor in the gossipy passages do his gay, activist and literary co-conspirators go unnamed (Gore Vidal, Norman Mailer, Vivian Gornick and Kate Millett each make an appearance).

 

When this chapter of Duberman’s life comes to a close, he is working to found the Center for Lesbian and Gay Studies (CLAGS) at the City University of New York, the country’s first university research center dedicated to LGBTQ issues. …

Tuesday 08.06.19

On Earth We’re Briefly Gorgeous by Ocean Vuong

This book is not for you; it’s for Ocean Vuong’s mom. She was the daughter of an illiterate farmgirl and an American soldier. War made and unmade them. As Vuong wrote in his poem “Notebook Fragments,” “An American soldier fucked a Vietnamese farmgirl. Thus my mother exists. / Thus I exist. Thus no bombs = no family = no me. / Yikes.”

 

When war ended, the Oceans lost contact with their grandfather for almost two decades. They were forced to leave Vietnam for Connecticut when police realized Vuong’s mother was mixed race. Vuong was 2 years old.

 

Vuong’s mother won’t read her son’s debut novel, On Earth We’re Briefly Gorgeous, because she can’t read. Dyslexia runs in the family, Vuong suspects, and he links his approach to language with the ways he’s had to cope with the learning disability — “Because I write very slowly and see words as objects,” he says. After publishing his first book of poems, Night Sky with Exit Wounds, in 2016, he told the Guardian, “I’m always trying to look for words inside words. It’s so beautiful to me that the word laughter is inside slaughter.”

 

Beauty is a primary concern. “All this time I told myself we were born from war — but I was wrong, Ma. We were born from beauty,” he writes. Seeing beauty everywhere, he preserves it in careful, lyrical prose: “I never wanted to build a ‘body of work’ but to preserve these, our bodies, breathing and unaccounted for, inside the work.” …

Thursday 07.18.19

Less by Andrew Sean Greer

Arthur Less is the kind of character I didn’t know I had been longing for. A midtier novelist, he’s self-deprecating, spontaneous and charmingly ignorant of his own charms. This eponymous novel (the one he’s in, not the one he wrote) starts with Arthur mourning the imminent arrival of his 50th birthday, since he’s convinced he’s “the first homosexual ever to grow old.”

 

Having recently broken up with his younger boyfriend of nearly a decade, Arthur is at a loss as he tries to neatly define what his life has amounted to, and what lies ahead. He reflects on and laments his “exclusion from any list of best writers under thirty, under forty, under fifty — they make no lists above that.” Then on a whim, he accepts a handful of invitations that will take him far away from the one invitation he’s avoiding: his ex-boyfriend’s wedding.

 

The mixed bag of invites includes a literary festival in Mexico, an award ceremony in Italy, a teaching assignment in Germany, a retreat in India, an article for a men’s magazine in Japan, and a friend’s birthday in Morocco (chapters are divided up by each location).

 

Throughout his travels, Arthur finds himself in a string of compromising, ego-crushing encounters that seem orchestrated to pick apart what’s left of his paltry self-esteem. Yet as the novel unfolds, the encounters reveal themselves as machinations designed not to break him, but to break him open.

 

In Mexico, he sits on a panel in which he’s casually asked by the moderator, “What is it like to go on, knowing you are not a genius, knowing you are a mediocrity?” …

Friday 06.14.19

Pride: Photographs After Stonewall by Fred W. McDarrah

Fred W. McDarrah was the first on-staff photographer for the Village Voice. His prolific photography captured both the pride and the struggles of the gay community toward the end of the 20th century. In 1994 McDarrah published a book of photographs focused on the changing queer community in Greenwich Village from the events of Stonewall up to the mid-1990s. 25 years later, a new, redesigned edition of McDarrah’s book has been released by OR Books — Pride: Photographs After Stonewall with a foreword by Hilton Als. It is no coincidence that the book was released this year, exactly 50 years after the Stonewall Riots. The book’s cover features several rioters and Stonewall patrons posing for a photograph during the riots. Above them, a message etched in chalk reads, “To fight for our country, they invaded our rights.”

 

Pride is split into two parts: photographs before Stonewall and photographs after Stonewall. The before section paints a vibrant picture of queer 1960s New York. Gay poets and writers like Frank O’Hara, W.H. Auden, and James Baldwin pose for portraits, a powerful photograph of the American transsexual icon Candy Darling, drag queens and transgender women competing in the Miss All-American Camp Beauty Pageant of 1967 are photographed wearing identical outfits and sashes that display their title.  Actor-turned-activist, Jim Fouratt summarizes the decade: “I came to New York in the early ‘60s to be a bohemian/beatnik artist. I found the Actors Studio, Lee Strasberg, Greenwich Village, jazz, mary jane, gay bars, drag queens, Andy Warhol, the Judson Church performers, the Living Theater, the Caffe Cino and La Mama, civil rights marches and sit-ins, the Open Theater, Communist, poetry, dirty old men, Lenny Bruce, rich people, and my first real boyfriend. …